About: David Hughes

Saturday, 14 April 2018, 9:00 a.m.
Requiem Masss for Msgr. Ignacio Barreiro-Carámbula
(Missale Romanum of 1962)
Missa pro defunctis (plainsong)
Kyrie: Messe de Tournai (anon., XIV C.)
At the absolution: Libera me, Domine (plainsong, mode i)
Postlude: Oriamendiko Soñuba (Marcha de Oriamendi)

Wednesday, 11 April 2018, 6:00 p.m.
Music for the Feast of St. Leo I
(Missale Romanum of 1962)
Prelude: Improvisation
Missa Cunctipotens Genitor Deus (Vatican Gradual, Mass IV)
Gregorian Mass of a Sovereign Pontiff: Si diligis me
Postlude: Improvisation

Monday, 9 April 2018, 6:00 p.m.
Music for the Feast of the Annunciation
(Missale Romanum of 1962)
Prelude: Ave Maris Stella (Jean Titelouze, c.1562-1633)
Mass in B-flat (Santiago Billoni, c.1700-c.1763)
Gregorian Mass of the Annunciation: Vultum tuum
Motet at the Offertory: Regina caeli (José de Torres y Martínez Bravo, c.1670-1738)
Hymn at the Communion: Ave maris stella (Claudio Monteverdi, 1567-1643)
Postlude: Benedicta es Regina caelorum (Antonio de Cabezón, 1510-1566)

This Mass, sponsored by the Society of St. Hugh of Cluny,
will be followed by a lecture by Roberto de Mattei in the parish hall at 7:30 p.m.

Music for the Octave Day of Easter (Low Sunday)
(Missale Romanum of 1962, 9:30 a.m.)
Prelude: Erstanden ist der heil’ge Christ (BWV 628) Johann Sebastian Bach, 1685-1750)
Hymn at the Procession: Ye Sons and Daughters (O filii et filiæ)
Mass for Four Voices (William Byrd, 1540-1623)
Gregorian Mass for the Octave Day of Easter: Quasi modo
Motet at the Offertory: Stetit Jesus (Jacob Regnart, c.1540-1599)
Motet at the Communion: Conturbati (Stetit Jesus, secunda pars) (Regnart)
Postlude: Choral-Improvisation sur le Victimae Paschali (Charles Tournemire, 1870-1937)

Music for the Second Sunday of Easter
(Missale Romanum of 2002, 11:30 a.m.)
Processional Hymn: Christ the Lord Is Ris’n Today (Llanfair)
Introit: Quasi modo (plainsong, mode vi)
Kyrie, Sanctus, Agnus Dei: Missa Lux et origo (Vatican Gradual, Mass I)
Gloria: Missa de Angelis (Mass VIII)
Alleluia: In die resurrectionis (plainsong, mode vii)
Alleluia: Post dies octo (plainsong, mode vii)
Offertory: Angelus Domini (plainsong, mode viii)
Hymn at the Offertory: Ye Sons and Daughters (O filii et filiæ, plainsong, mode ii)
Communion: Mitte manum tuam (plainsong, mode vi)
Hymn at the Communion: Come, Ye Faithful, Raise the Strain (Gaudeamus pariter)
Marian antiphon: Regina caeli (plainsong, mode vi)
Organ music as above

Music for Easter Sunday
(Missale Romanum of 1962, 9:30 a.m.)
Prelude: Christ lag in Todesbanden (BWV 625) (Johann Sebastian Bach, 1685-1750)
Hymn at the Procession: Jesus Christ Is Ris’n Today (Easter Hymn)
Nicolaimesse (Franz Joseph Haydn, 1732-1809)
Gregorian Mass of Easter Sunday: Resurrexi
Motet at the Offertory: Christus resurgens (Orlande de Lassus, c.1532-1594)
Motet at the Communion: Congratulamini mihi omnes (Adrian Willaert, c.1490-c.1562)
Postlude: Toccata, Adagio & Fugue in C Major (BWV 564) (Bach)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir

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Music for Easter Sunday
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: Jesus Christ Is Ris’n Today (Easter Hymn)
Introit: Resurrexi (plainsong, mode iv)
Kyrie, Sanctus, Agnus Dei: Missa Lux et origo (Vatican Gradual, Mass I)
Gloria: Missa de Angelis (Mass VIII)
Gradual: Haec dies (plainsong, mode ii)
Sequence: Victimæ Paschali laudes (plainchant, mode i)
Alleluia: Pascha nostrum (mode vii)
Offertory: Terra tremuit (plainsong, mode iv)
Hymn at the Offertory: The Strife Is O’er (Victory)
Communion: Pascha nostrum (plainsong, mode vi)
Hymn at the Communion: This Joyful Eastertide (Vruechten)
Marian antiphon: Regina cæli (plainsong, mode vi)
Organ music as above

The St. Mary’s Choir

Saturday, 31 March 2018, 7:00 p.m.
Music for the Great Paschal Vigil and First Mass of Easter
The Exsultet
Canticle: Cantemus Domino (plainsong, mode viii)
Canticle: Vinea facta est (plainsong, mode viii)
Canticle: Attende caelum (plainsong, mode viii)
Canticle: Sicut cervus (plainsong, mode viii)
Hymn at the aspersion: Rex sanctorum angelorum (Sarum plainsong, mode viii)
Antiphon at confirmation: Confirma hoc, with Psalm 67 (plainsong, mode viii)
Antphon at confirmation: Ecce sic benedicetur (plainsong, mode vi)
The Litany of the Saints

At Mass
Kyrie Lux et origo (Vatican Gradual, Mass I)
Gloria: Nicolaimesse (Franz Joseph Haydn, 1732-1809)
Alleluia: Confitemini Domino (plainsong, mode viii)
Tract: Laudate Dominum (plainsong, mode viii)
Motet at the Offertory: Surrexit pastor bonus (Tomás Luis de Victoria, 1548-1611)
Motet at the Offertory: Christus resurgens (Orlande de Lassus, c.1532-1594)
Sanctus & Benedictus: Nicolaimesse (Haydn)
Motet at the Communion: Dum transisset Sabbatum I (John Taverner, 1490-1545)
Antiphon of Vespers: Alleluia, alleluia, alleluia, with Psalm 116 (plainsong, mode vi)
Magnificat antiphon of Vespers: Vespere autem sabbati (plainsong, mode viii)
Marian antiphon: Regina cæli (plainsong, mode vi)
Postlude: Toccata, Adagio & Fugue in C Major (BWV 564) (Johann Sebastian Bach, 1685-1750)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir

Saturday, 31 March 2018, 8:00 a.m.
Music for Matins & Lauds of Holy Saturday

Matins: First Nocturn
Antiphon In pace in idipsum, with Psalm 4 (plainsong)
Antiphon Habitabit in tabernaculo, with Psalm 14 (plainsong)
Antiphon Caro mea requiescet, with Psalm 15 (plainsong)
A reading from the Lamentations of the prophet Jeremiah (I) (plainsong)
Responsory: Sicut ovis ad occisionem (plainsong, mode iv)
A reading from the Lamentations of the prophet Jeremiah (II) (plainsong)
Responsory: Jerusalem, surge (plainsong, mode v)
A reading from the Lamentations of the prophet Jeremiah (III) (plainsong)
Responsory: Plange quasi virgo (plainsong, mode v)

Matins: Second Nocturn
Antiphon Elevamini, portæ æternales, with Psalm 23 (plainsong)
Antiphon Credo videre bona, with Psalm 26 (plainsong)
Antiphon Domine, abstraxisti, with Psalm 29 (plainsong)
Commentary of St. Augustine on the Psalms (I)
Responsory: Recessit pastor noster (plainsong, mode vii)
Commentary of St. Augustine on the Psalms (II)
Responsory: O vos omnes (plainsong, mode viii)
Commentary of St. Augustine on the Psalms (III)
Responsory: Ecce quomodo moritur (plainsong, mode iv)

Matins: Third Nocturn
Antiphon Deus adjuvat me, with Psalm 53 (plainsong)
Antiphon In pace factus est, with Psalm 75 (plainsong)
Antiphon Factus sum sicut homo, with Psalm 87 (plainsong)
Epistle of St. Paul to the Hebrews (I)
Responsory: Astiterunt reges terræ (plainsong, mode viii)
Epistle of St. Paul to the Hebrews (II)
Responsory: Æestimatus sum (plainsong, mode iv)
Epistle of St. Paul to the Hebrews (III)
Responsory: Sepulto Domino (plainsong, mode ii)

Lauds
Antiphon O mors, ero mors tua, with Psalm 50 (plainsong, mode iv)
Antiphon Plangent eum quasi unigenitum, with Psalm 91 (plainsong, mode iv)
Antiphon Attendite universi populi, with Psalm 63 (plainsong, mode vii)
Antiphon A porta inferi, with the Canticle of Hezekiah (plainsong, mode ii)
Antiphon O vos omnes, with Psalm 150 (plainsong, mode viii)
Antiphon Mulieres sedentes, with the Benedictus (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Miserere mei (plainsong)

Viri Galilæi

Friday, 30 March 2018
Music for Good Friday

The Commemoration of the Passion & Death of the Lord (3:00 p.m.)
Tract: Domine, audivi auditum (plainsong, mode ii)
Tract: Eripe me, Domine (plainsong, mode ii)
Passio Domini Nostri Jesu Christi secundum Joannem (polyphonic turba setting by William Byrd, 1540-1623)
The Reproaches (plainsong)
Motet at the Adoration of the Cross: Filiae Jerusalem (Esteban Lopez Morago, c.1575-1630)
Motet at the Adoration of the Cross: Stabat Mater (Juan Gutiérrez de Padilla, c.1590-1664)
Motet at the Adoration of the Cross: Sepulto Domino (Morago)
Antiphon: Crucem tuam (plainsong, mode iv)
Hymn at the Adoration of the Cross: Crux fidelis (plainsong)
Hymn at the Translation of the Sacrament: Vexilla Regis prodeunt (Estêvão de Brito, c.1570-1641)

Vespers of Good Friday
Antiphon Calicem salutaris accipiam, with Psalm 115 (plainsong, mode ii)
Antiphon Cum his qui oderunt, with Psalm 119 (plainsong, mode viii)
Antiphon Eripe me, Domine, with Psalm 139 (plainsong, mode viii)
Antiphon Domine, clamavi ad te, with Psalm 140 (plainsong, mode vii)
Antiphon Considerabam ad dexteram, with Psalm 141 (plainsong, mode vii)
Antiphon Cum accepisset acetum, with the Magnificat (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Motet: Miserere (Manuel Cardoso, 1566-1650)

Procession of the Cristo Muerto & Burial with Compline (7:00 p.m.)
Prelude: Letanía de la Pasión: Iesu dulcissime (anonymous, from the missions of Bolivia)
Antiphon: O Crux benedicta (plainsong, mode i)
Hymn: O Cruz fiel y venerable (Picardy)
Hymn: Vexilla Regis prodeunt (plainsong, more Hispano)

Psalm 4 (recto tono)
Psalm 90 (recto tono)
Psalm 113 (recto tono)
Nunc dimittis (plainsong, mode iii)
Responsory Christus factus est
Miserere mei, Deus (Antonio Lotti, 1667-1740)
Y ¿cual hombre no llorara? (Juan Rodriguez Estevez)

The St. Mary’s Schola Cantorum
Viri Galilæi

Friday, 14 April 2017, 8:00 a.m.
Music for Matins & Lauds of Good Friday

Matins: First Nocturn
Antiphon Astiterunt reges terræ, with Psalm 2 (plainsong)
Antiphon Diviserunt sibi, with Psalm 21 (plainsong)
Antiphon Insurrexerunt in me, with Psalm 26 (plainsong)
A reading from the Lamentations of the prophet Jeremiah (I) (plainsong)
Responsory: Omnes amici mei (plainsong, mode viii)
A reading from the Lamentations of the prophet Jeremiah (II) (plainsong)
Responsory: Velum templi (plainsong, mode ii)
A reading from the Lamentations of the prophet Jeremiah (III) (plainsong)
Responsory: Vinea mea electa (plainsong, mode viii)

Matins: Second Nocturn
Antiphon Vim faciebant, with Psalm 37 (plainsong)
Antiphon Confundantur et revereantur, with Psalm 39 (plainsong)
Antiphon Alieni insurrexerunt, with Psalm 53 (plainsong)
Commentary of St. Augustine on the Psalms (I)
Responsory: Tamquam ad latronem (plainsong, mode viii)
Commentary of St. Augustine on the Psalms (II)
Responsory: Tenebræ factæ sunt (plainsong, mode vii)
Commentary of St. Augustine on the Psalms (III)
Responsory: Animam meam dilectam (plainsong, mode viii)

Matins: Third Nocturn
Antiphon Ab insurgentibus in me, with Psalm 58 (plainsong)
Antiphon Longe fecisti, with Psalm 87 (plainsong)
Antiphon Captabunt in animam justi, with Psalm 93 (plainsong)
Epistle of St. Paul to the Hebrews (I)
Responsory: Tradiderunt me in manus (plainsong, mode vi)
Epistle of St. Paul to the Hebrews (II)
Responsory: Jesum tradidit impius (plainsong, mode viii)
Epistle of St. Paul to the Hebrews (III)
Responsory: Caligaverunt oculi mei (plainsong, mode v)

Lauds
Antiphon Proprio Filio suo, with Psalm 50 (plainsong, mode vii)
Antiphon Anxiatus est in me, with Psalm 142 (plainsong, mode iv)
Antiphon Ait latro ad latronem, with Psalm 84 (plainsong, mode i)
Antiphon Dum conturbata fuerit, with the Canticle of Habakkuk (plainsong, mode i)
Antiphon Memento mei, Domine Deus, with Psalm 147 (plainsong, mode viii)
Antiphon Posuerunt super caput ejus, with the Benedictus (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Miserere mei (plainsong)

Viri Galilæi

Thursday, 29 March 2018, 7:00 p.m.
Music for the Mass of Maundy Thursday

At Mass
Missa brevis for Holy Thursday (Giovanni Rovetta, c.1596-1668)
Motet at the Offertory: Tristis est anima mea (Juan Gutiérrez de Padilla, c.1590-1664)
Motet at the Communion: O bone Jesu (Loyset Compère, c.1450-1518)
Motet at the Communion: Ubi caritas (Maurice Duruflé, 1902-1986)
Hymn at the procession: Pange lingua gloriosi (plainsong, mode iii)
Hymn at the procession: Jesu dulcis memoria (plainsong, mode i)
Hymn at the procession: Verbum supernum (plainsong, mode viii)
Hymn at the procession: Sacris solemniis (plainsong, mode iv)
Motet at the procession: Ave verum corpus (William Byrd, 1540-1623)

At Vespers
Antiphon Calicem salutaris accipiam, with Psalm 115 (plainsong, mode ii)
Antiphon Cum his qui oderunt, with Psalm 119 (plainsong, mode viii)
Antiphon Eripe me, Domine, with Psalm 139 (plainsong, mode viii)
Antiphon Domine, clamavi ad te, with Psalm 140 (plainsong, mode vii)
Antiphon Considerabam ad dexteram, with Psalm 141 (plainsong, mode vii)
Antiphon Coentatibus autem, with the Magnificat (plainsong, mode i)
Responsory Christus factus est
Miserere mei (plainsong)

At the Stripping of the Altars
Antiphon Diviserunt sibi, with Psalm 21 (recto tono)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir
The St. Cecilia Student Schola