Recent Posts by David Hughes

St. Cecilia Concert Series: Sharon Levin, Gerard Reuter, David Hughes, 15 March 2015

Sharon Levin, flute
Gerard Reuter, oboe
David Hughes, piano
music of Telemann, Marcello, Quantz, Corrette, Gaubert

Sunday, 15 March 2015, 4:00 P.M.

General Admission: $15 / Students: $10

A festive reception will follow the recital.

Click here for a PDF flier.

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Sharon Levin has performed in Brazil, Costa Rica, Ecuador, France, Switzerland, Germany, Israel, and the U.S.A. She has appeared at Weill Recital Hall at Carnegie Hall, NYC in 1988, 1989, (1991 at Merkin Concert Hall), 1996, 2000, 2002 and 2008 performing solos and chamber music. She has appeared on national television in Brazil, Costa Rica and Ecuador and has been interviewed and performed on New York's WQXR radio with harpist, Karen Stern. Sharon Levin has won awards from Artists International in 1988, 1989 and 1991 with harpist, Karen Stern and in 1996 as a soloist. She has performed as a concerto soloist in Brazil, Ecuador, France, Connecticut and New Jersey. Since 1988 she was the principal Flutist with the New Jersey Pops Symphony Orchestra until they dissolved in 2002.

Ms. Levin has been performing for over 30 years with harpist, Karen Stern. As the Levin/Stern Duo, they performed in Europe, South America, Central America and the U.S.A. They perform recitals, concertos, educational lecture/performances and for private special occasions.

Her Ecuadorian group, Trio Pasional, consisting of flute and two guitars recorded two CDs called "Mi Ultimo Beso" (My Last Kiss) and "Reir Llorando" (To Laugh Crying). She hopes this music will heighten the public's awareness of the need to conserve the rain forests and the cultures with which they coexist. Some of Trio Pasional's performances have been at Weill Recital Hall at Carnegie Hall, CAMI Hall, NYC, The New York Flute Club Flute Fair, and recently at the International Flute Festival in Costa Rica. Other performances include The Newark Museum, (NJ), The Union County Arts Center, (NJ), First Night in Summit, (NJ), The Jefferson Auditorium, Virginia, and at various metropolitan colleges, universities, and diplomatic events. Sharon has spent several years studying Ecuadorian Mestizo Music and created a publication of this style music for Flute and Piano with the help and talent of pianist, Allison Brewster Franzetti.

She has explored Brazilian Chorinho music and spent several years studying this style as well. She performs Chorinhos with guitarist, Tiberio Nascimento.

Ms. Levin has a Master's Degree from Manhattan School of Music and prior to that she studied in Paris, France where she was awarded the "Certificat de Musique de Chambre" from the Ecole Normale de Musique. She holds a Bachelor of Arts Degree from Sarah Lawrence College in Bronxville, NY. She has given several Master Classes in Spanish in Costa Rica and Ecuador, and has translated for Master Classes in Costa Rica for other flute Artists. In August of 2005 Ms. Levin gave a lecture/performance on Ecuadorian Mestizo Music at the National Flute Association Convention in San Diego. In 2006 she published Ecuadorian Mestizo Music for Flute and Piano. Ms. Levin performs and teaches at the International Flute Festival in Costa Rica. She was conductor of the Young Artists and Young People's Flute Choirs of the Stamford Young Artist Philharmonic from 2006 - 2010. Ms. Levin performs regularly in the north east region and teaches privately.

Sharon Levin teamed up with Westport guitarist, Gene Pino, and they created Duo Del Norte. They perform a blend of Latin American music with Classical, Renaissance, Baroque, Romantic and Great American and International Standards. They perform for recitals, ceremonies and celebrations.

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"Reuter clearly held the spotlight...richly earned... with a brilliant performance." - The Washington Post

Gerard Reuter has enjoyed a varied and distinguished career as soloist, conductor and in chamber music, touring the United States, Europe, India and Africa. He is a member of the Dorian Wind Quintet and was a founding member of the Orpheus Chamber Orchestra, An Die Musik and the Chelsea Chamber Ensemble. His many guest appearances at music festivals in the United States have included Caramoor, Marlboro, Tanglewood, LaJolla, Malibu, Tucson, Round Top, the Chamber Music Festival of the Library of Congress, Grand Tetons, Bar Harbor, and Market Square Concerts’ Summerfest;and in Europe at the Flanders and Dartington festivals, as well as the International Musicians' Seminar at Prussia Cove. As a soloist, in New York he has appeared with the Jupiter Symphony, the Soviet Emigré Orchestra, Orpheus Chamber Orchestra, Philharmonia Virtuoso, Orchestra of the Bronx and in Washington, DC with the National Chamber Orchestra. He has been heard on major radio stations throughout this country and in Europe. He has recorded for Sony, New World, Summit, Telarc, Columbia, Musical Heritage Society and in concert for the Voice of America.

As a recipient of the Pro Musicis Foundation's International Award, Mr. Reuter has been presented in recitals in New York, Washington, Los Angeles and Boston as well as in major cities in Europe and Asia. Mr. Reuter has served on the faculties of New York University, Mannes College and Sarah Lawrence College.

Increasingly active as a conductor, Mr. Reuter directs The Wind & Brass Ensemble of the Stamford Young Artists Philharmonic. As a guest he has conducted the Jupiter Symphony, Riverside Symphony, Claremont Strings, New York Mandolin Orchestra, the St Joseph’s Choir (Danbury, CT) in performances of Handel’s Messiah and the Requiems of Duruflé and Rutter, and the Schenectady Symphony, of which Albany’s “Times-Union” reported: “The Schenectady Symphony Orchestra under Reuter were in fine form…[he] led a fine, rollicking, crisp performance.”

Music for the Fourth Sunday of Lent, 15 March 2015

Music for the Fourth Sunday of Lent
(Missale Romanum of 1962, 9:30 a.m.)
Prelude: An Wasserflüssen Babylon (BWV 653) (Johann Sebastian Bach, 1685-1750)
Missa Cantate (John Sheppard, c.1515-1558)
Gregorian Mass of the Fourth Sunday of Lent: Laetare
Kyrie Salve (plainsong, mode i)
Offertory: Laudate Dominum (plainsong, mode ii, with verses)
Motet at the Communion: Audi benigne Conditor (Guillaume Dufay, c.1400-1474)
Postlude: Partitas on Ach, was soll ich Sünder machen? (BWV 770) (Bach)

Music for the Fourth Sunday of Lent
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: Christ Is the World’s Light (Christe sanctorum)
Introit: Laetare (plainsong, mode v)
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Offertory: Laudate Dominum (plainsong, mode ii)
Hymn at the Offertory: Call to Remembrance (Richard Farrant)
Hymn at the Offertory: All You Who Seek a Comfort Sure (Kingsfold)
Communion: Jerusalem, quae aedificatur (plainsong, mode iv)
Motet at the Communion: God So Loved the World (from The Crucifixion) (John Stainer, 1840-1901)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
Organ music as above

Music for the Saturday of the Third Week of Lent, 14 March 2015

Saturday, 14 March 2015, 9:00 a.m.
Music for the Saturday of the Third Week of Lent
(Missale Romanum of 1962)
Missa pro Feriis Adventus & Quadragesimae (Vatican Gradual, Mass XVIII)
Gregorian Mass of the Saturday after the Third Sunday of Lent: Verba mea
Hymn at the Offertory: Parce Domine (plainsong, mode i)
Hymn at the Communion: Audi benigne Conditor (plainsong, mode ii)

The second Saturday of every month is a Missa cantata celebrated
for the intentions of the Gospel of Life Society at St. Mary’s.

Music for Vespers of St. Gregory’s Day, 12 March 2015

Thursday, 12 March 2015, 5:30 p.m.
Music for Vespers of the Feast of St. Gregory
Extraordinary Form of the Roman Rite
Ecce sacerdos magnus & Psalm 109 (mode vii)
Non est inventus & Psalm 110 (mode vii)
Ideo jurejurando & Psalm 111 (mode viii)
Sacerdotes Dei & Psalm 112 (mode vii)
Serve bone & Psalm 131 (mode iii)
Hymn: Iste Confessor (plainsong, mode viii)
Magnificat antiphon: O Doctor optime (mode ii)
Commemoration of the Thursday of the Third Week of Lent: Omnes qui habebant (plainsong, mode i)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)

The St. Gregory Student Schola
The St. Cecilia Student Schola

Music for the Third Sunday of Lent, 8 March 2015

Music for the Third Sunday of Lent
(Missale Romanum of 1962, 9:30 a.m.)
Missa In illo tempore à 6 (Claudio Monteverdi, 1567-1643)
Gregorian Mass of the Third Sunday of Lent: Oculi mei
Motet at the Offertory: In illo tempore (Nicolas Gombert, c.1495-c.1560)
Motet at the Communion: Lamentabatur Jacob (Cristóbal de Morales, c.1500-1553)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)

Music for the Third Sunday of Lent
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: Lord, Who Throughout These Forty Days (St. Flavian)
Introit: Oculi mei (plainsong, mode vii)
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Offertory: Justitiae Domini (plainsong, mode iv)
Motet at the Offertory: Lord, For Thy Tender Mercy’s Sake (John Hilton the Elder, 1565-c.1609)
Hymn at the Offertory: I Heard the Voice of Jesus Say (Kingsfold)
Communion: Passer invenit (plainsong, mode i)
Hymn at the Communion: The Perfect Law of God (Leoni)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)

Music for the Second Sunday of Lent, 1 March 2015

Music for the Second Sunday of Lent
(Missale Romanum of 1962, 9:30 a.m.)
Missa in honorem Sanctæ Catharinæ (David J. Hughes, b.1980)
Gregorian Mass of the Second Sunday of Lent: Reminiscere
Motet at the Offertory: O bone Jesu (Robert Parsons, c.1530-1572)
Motet at the Communion: Et numerum dierum (O bone Jesu, continued) (Parsons)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)

Music for the Second Sunday of Lent
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: The Glory of These Forty Days (Erhalt uns Herr)
Introit: Reminiscere (plainsong, mode iv)
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Offertory: Meditabor (plainsong, mode ii)
Motet at the Offertory: Thou Knowest, Lord, The Secrets of Our Hearts (Henry Purcell, 1659-1695)
Hymn at the Offertory: God of Mercy and Compassion (Au sang qu’un Dieu) (after Pergolesi)
Communion: Visionem (plainsong, mode i)
Hymn at the Communion: Attende Domine (plainsong, mode i)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)

St. Cecilia Concert Series: James Wetzel, 22 February 2015

James Wetzel, organ
works of Bach, Mendelssohn, and Franck

Sunday, 22 February 2015, 4:00 P.M.

General Admission: $15 / Students: $10

A festive reception will follow the recital.

Click here for a PDF flier.

Pittsburgh-born James D. Wetzel has been the Organist and Choirmaster of the Church of Saint Agnes in Manhattan since 2010, directing one of the most respected Catholic music programs in the nation. The church’s professional Schola Cantorum sings for over 120 liturgies annually, including the weekly Tridentine Latin Mass. James is the Assistant Conductor and accompanist for the Greenwich Choral Society in Connecticut, accompanist for the New Choral Society in Scarsdale, New York, and holds a post as Assisting Organist at the Cathedral Church of Saint John the Divine where he formerly served as Organ Scholar for two years under Bruce Neswick. Also, he is an adjunct lecturer at Hunter College where he directs the Chamber Singers and teaches organ.

Mr. Wetzel is also active as an organist and continuo player; recent highlights include performing at the Berkshire Choral Festival, with the American Symphony Orchestra in Carnegie Hall and with the American Classical Orchestra in Alice Tully Hall. He is a board member of the New York City Chapter of the American Guild of Organists and the Catholic Artists Society, is music advisor to the New York Purgatorial Society, and is a member of the Saint Wilfred’s Club for Organists in Manhattan.

Mr. Wetzel earned a bachelor’s degree in organ performance from The Juilliard School where he studied with Paul Jacobs and was the first person ever to graduate with a master’s degree and a post-graduate professional studies certificate in choral conducting from Manhattan School of Music under Kent Tritle. He also studied privately with Donald K. Fellows and Robert Page. Additionally, James spend a year studying Early Christianity and Apologetics at Columbia University.

Music for the First Sunday of Lent, 22 February 2015

Music for the First Sunday of Lent
(Missale Romanum of 1962, 9:30 a.m.)
Missa Ego flos campi for double choir (Juan Gutiérrez de Padilla, c.1590-1664) [Student Schola] Gregorian Mass of the First Sunday of Lent: Invocabit me
Introit: Invocabit me (plainsong, mode viii) [Student Schola trebles] Tract: Qui habitat (plainsong, mode ii) [Student Schola trebles & basses in alternatim] Offertory: Scapulis suis (plainsong, mode viii) [Student Schola basses] Motet at the Offertory: Ave Regina cælorum à 5 (Tomás Luis de Victoria, 1548-1611)
Communion: Scapulis suis (plainsong, mode iii) [Student Schola trebles] Motet at the Communion: In jejunio et fletu (Thomas Tallis, c.1505-1585)

The St. Mary’s Schola Cantorum
The St. Cecilia Student Schola
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Music for the First Sunday of Lent
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: Forty Days and Forty Nights (Heinlein)
Introit: Invocabit me (plainsong, mode viii)
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Offertory: Scapulis suis (plainsong, mode viii)
Hymn at the Offertory: Again We Keep This Solemn Fast (Erhalt uns Herr)
Motet at the Offertory: Hide Not Thou Thy Face From Us (Richard Farrant, c.1530-1580)
Communion: Scapulis suis (plainsong, mode iii)
Hymn at the Communion: If Thou But Trust in God to Guide Thee (Wer nur den lieben Gott)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)

Music for the Saturday after Ash Wednesday, 21 February 2015

Saturday, 21 February 2015, 9:00 a.m.
Music for the Saturday after Ash Wednesday
(Missale Romanum of 1962)
Missa Deus Genitor alme (Vatican Gradual, Mass XVIII)
Gregorian Mass of the Saturday after Ash Wednesday: Audivit Dominus
Hymn at the Offertory: Nunc tempus acceptabile (plainsong, mode i)
Hymn at the Communion: Jesu, quadragenariae (plainsong, mode iv)

Mass will be preceded by the First Grade of the Catechumenate,
for those to be baptized at the Easter Vigil.

Music for Ash Wednesday, 18 February 2015

Music for Ash Wednesday
(Missale Romanum of 2002, 12:10 p.m.)
Hymn at the Procession: Forty Days and Forty Nights (Heinlein)
Introit: Your mercy extends to all things (plainsong, mode i)
Missa pro Feriis Adventus & Quadragesimae (Vatican Gradual, Mass XVIII)
Antiphons at the imposition of ashes: Immutemur (plainsong, mode i), etc.
Hymn at the imposition of ashes: Attende Domine (plainsong, mode v)
Hymn at the Offertory: Again We Keep This Solemn Fast (Erhalt uns Herr)
Communion: He who medidates (plainsong, mode iii)
Hymn at the Retiring Procession: Have Mercy, Lord, on Us (Southwell)

Mass is sung approximately once per month by the students of Regina Pacis Academy.
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Music for Ash Wednesday
(Missale Romanum of 1962, 5:30 p.m.)
Missa Inter vestibulum (Francisco Guerrero, 1528-1599)
Antiphon at the blessing of ashes: Exaudi nos, Domine (plainsong, mode vii)
Antiphon at the imposition of ashes: Immutemur (plainsong, mode i)
Antiphon at the imposition of ashes: Juxta vestibulum (plainsong, mode iv)
Motet at the imposition of ashes: Emendemus in melius (William Byrd, 1540-1623)
Gregorian Mass of Ash Wednesday: Misereris omnium
Motet at the Offertory: Inter vestibulum (Cristóbal de Morales, c.1500-1553)
Motet at the Communion: Ne irascaris Domine (Byrd)

The St. Mary’s Schola Cantorum

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