Prelude: Kyrie eleison in e [Op. 59, No. 7] (Max Reger, 1873-1916)
Alleluia: Qui timent Dominum (plainsong, mode i)
Motet at the Offertory: O Bone Jesu (G.P da Palestrina, c.1525-1594)
Communion: Aufer a me (plainsong, mode ii)
Postlude: Ich dank dir schon durch deinen Sohn [I give thanks to Thee by Thy Son] [BuxWV 195] (Dietrich Buxtehude, c.1637-1707)
St. Mary’s is very pleased to present a concert by the New York Piano-Organ Duo on Sunday, October 14th, at 4:30 p.m. Jason Cutmore, piano, and Daniel Sullivan, organ, will play works of J.S. Bach, César Franck, Jean Langlais, and Jeffrey McCune. The concert is free to the public (suggested donation: $10), and will be preceded at 4:00 p.m. by Solemn Vespers of the Twenty-Eighth Sunday of the Year, sung by the St. Mary's Choir. For further information, please call the St. Mary’s Music Office at 203-866-5546 x115, or visit stmarynorwalk.net/recitals. A flier is available here.
Prelude: Ballade en mode Phyrgien (Jehan Alain, 1911-1940)
Mass Ordinary: Missa de Angelis (Vatican Gradual, Mass VIII)
Alleluia: In exitu Israel (plainsong, mode ii)
Hymn at the Offertory: Ave Maria (Jacques Arcadelt, c.1505-1568)
Communion: In salutari tuo (plainsong, mode i)
Motet at the Communion: Anima Christi (plainsong, mode i)
Postlude: Petite Pièce (Alain)
Dear Parishioners:
With the coming of the new academic year each September comes the start of a new choral season, and we at St. Mary’s are particularly excited about this year’s program for the Children’s Choir! We understand that the involvement of children in various ministries in the Church can reinforce the importance of the Mass in their lives as young Catholics. Through their time and hard work, these young people contribute to the parish in a very positive way through the ministry of music. Music is an area of our liturgical life upon which we place tremendous emphasis. Providing music for Mass by singing is not only a gift to God, but a service to the worshiping community. When well done, sacred music can lift hearts and minds to the Almighty!
The key ingredient for the Children’s Choir is an understanding that sacred music is sung prayer. We sing first and foremost for the glorification of God at Mass, offering our very selves in the rendering of the purest and best prayer we can muster. Such beauty of liturgical song does not arise, however, entirely of its own accord; it can only be achieved through systematic practice, learning, and performance.
Just such a system is found in the Ward Method of musical instruction, an ingenious means of teaching children the fundamentals of singing, reading, and conducting. The Ward Method is the brainchild of Justine Ward, a New Yorker who dedicated her entire life to learning about liturgical music and especially Gregorian chant. She moved to France and studied for a number of years with Dom André Mocquereau, a Benedictine monk of the world-famous Abbey of Solesmes. Solesmes is responsible, almost single-handedly, for the compilation, study, and distribution of the ancient chant repertoire in its full splendor to the Church at large.
I am pleased to say that one of our parishioners, Mrs. Adelaide Anderson, has spent this past summer undergoing intensive training in the Ward Method at the Catholic University of America in Washington, D.C. Ward teachers spend several weeks mastering Mrs. Ward’s pedagogical tools so as to teach children of all levels of musical ability. A considerable benefit of the Ward Method is that it teaches literacy in reading all types of music, with the rate of success directly proportional to the time the children devote to the lessons. Mrs. Anderson is very excited to offer her services as a Ward instructor to St. Mary Church, and I am equally excited to present this unparalleled opportunity to all of the children of our parish. No previous musical training or choral experience is necessary for children to participate. It is our sincere hope that this training will bear fruit in the repertoire of chant, hymnody, and polyphony that the Children’s Choir will sing this coming year at Mass.
To this end, I would like to invite any parents who are interested in having their children participate in the Children’s Choir to a meeting on Thursday, October 11th at 6:30 p.m. in the Parish Center. (Please note that the date of October 12th printed in this week’s bulletin is incorrect; the meeting will be on October 11th.) At that time, I will present, with Mrs. Anderson, a demonstration of the Ward Method, and we will discuss the schedule of rehearsals and Masses for the coming year. Parents are encouraged to bring their children to this meeting, as singing in a choir involves a commitment from the whole family. Refreshments will be served.
If you should have any questions about the choirs in the meantime, please do not hesitate to contact me by phone (203-866-5546 x115) or e-mail (music@stmarynorwalk.net). The past year was a happy and fruitful time for the young singers in the Children’s Choir. We are delighted once again this year to welcome all our singers, old and new, to make a joyful noise unto the Lord!
Yours sincerely in Christ,
David J. Hughes
Organist & Choirmaster
Prelude: Psalm-Prelude on Ps. 37:11 [Op. 32, No. 2] (Herbert Howells, 1892-1983)
Alleluia: Paratum cor meum (plainsong, mode iii)
Hymn at the Offertory: All My Hope On God Is Founded [Michael] (Howells)
Communion: Memento verbi tui (plainsong, mode iv)
Motet at the Communion: Lord, For Thy Tender Mercy’s Sake (Richard Farrant, c.1530-1580)
Postlude: Introduction and Toccata in G Major (William Walond, 1725-1770)
Prelude: Jerusalem, du hochgrebaute Stadt (Max Reger, 1873-1916)
Alleluia: Confitemini Domino (plainsong, mode ii)
Hymn at the Offertory: Adoro Te Devote (plainsong, mode v)
Communion: Tu mandasti (plainsong, mode v)
Postlude: Fugue in D Minor [Op. 7, No. 3] (Reger)
Prelude: Mon âme cherce une fin paisible [My soul longeth to depart in peace] (Jean Langlais, 1907-1991)
Hymn at the Offertory: Our Father, We Have Wandered (Passion Chorale)
Communion: Dico vobis: gaudium (plainsong, mode v)
Motet at the Communion: Vox ultima crucis (William Henry Harris, 1883-1973)
Postlude: Cantilène [from Suite Bréve] (Langlais)
Prelude: Solemn Prelude In Memoriam [Op. 80, No. 3] (Edward Elgar, 1857-1934)
Mass Ordinary: Missa de Angelis (Vatican Gradual, Mass VIII)
Hymn at the Offertory: Christ, the Fair Glory of the Holy Angels (Coelites plaudant)
Communion: Vovete, et reddite (plainsong, mode ii)
Motet at the Communion: Ave Verum Corpus (Elgar)
Postlude: Fugue in E-Flat Major (St. Anne) [BWV 552] (Johann Sebastian Bach, 1685-1750)
Prelude: Improvisation on Old Hundredth
Mass Ordinary: Missa de Angelis (Vatican Gradual, Mass VIII)
Alleluia: Cantate Domino canticum novum (plainchant, mode i)
Motet at the Offertory: Jesu, Rex Admirabilis (G.P. da Palestrina, 1514-1594)
Communion: Domine, memorabor justitiae tuae (plainchant, mode viii)
Motet at the Communion: Laudate Nomen Domini (Christopher Tye, c1505-c1572)
Postlude: Carillon [Op. 75] (Edward Elgar, 1857-1934)
More information about the 2008 CMAA Colloquium in Chicago is available here.
